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REGISTRATION OPEN THROUGH OCT 1ST

O U R    F O U R T H    S Y M P O S I U M

December 12-14, 2025 at Middle Tennessee State University, Murfreesboro, TN

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Step 1: Complete the Registration Form

We strive to provide the best possible experience by creating an environment that fosters learning, growth, and personal development.

Click for registration form

Step 2: Submit Your Payment

Your $40 registration fee supports the Southeastern Women in Music Symposium and secures your spot. This fee confirms your commitment to attending.

click for payment link

Registration Fee Waivers Available

To ensure inclusivity, scholarships will be awarded to eligible individuals facing financial constraints, covering the registration fee for the Southeastern Women In Music Symposium. The application process involves completing a form that provides insight into your music dedication, aspirations, and financial situation, with recipients selected based on written responses and a director's recommendation.

application is open through september 15th

Clinician + Composer

Dr. Janet 은하 Kim, Clinician

Dr. Janet 은하 Kim is the Director of Wind Bands and Coordinator of Large Instrumental Ensembles at the University of Connecticut, where they conduct the UConn Symphonic Wind Ensemble and teach courses in conducting, woodwind techniques, pedagogy, and wind literature. They also oversee graduate studies in wind conducting.


They hold a Doctor of Musical Arts in Conducting from UCLA, a Master of Arts in Instrumental Conducting from Indiana University of Pennsylvania, and a Bachelor of Music in Music Education and Jazz Studies from Montclair State University. Their mentors include Drs. Travis J. Cross, Timothy A. Paul, Jason Worzbyt, and Shelley Axelson. While in Los Angeles, they served as the Associate Director of the Peninsula Symphonic Winds in San Pedro, CA, and successfully led a fully virtual ensemble through the pandemic. In recognition of their expertise, UCLA hired Dr. Kim to teach Audio Technology 101.


A sought-after guest conductor and clinician, Dr. Kim has led honor bands and festivals across the U.S., Canada, and virtually clinic'd ensembles in Hong Kong and South Korea. They are a passionate advocate for diversity, equity, inclusion, and belonging. Their work has been featured at The Midwest Clinic, in state conferences, podcasts, and publications. Dr. Kim is part of the Carnegie Hall Music Educator Workshop, leading sessions on intentional programming and representation in repertoire.

Claire Brown, Composer

Claire Brown (b. 2006) is a composer and oboist from Northern Virginia and currently based in State College, Pennsylvania. Her original compositions include works for soloists, chamber ensemble, large ensemble, and electronic media. Her most recent compositions span a wide variety of genres and instrumentation, including A Thousand Paper Cranes (Wind Ensemble), Proceed With Caution (Woodwind Trio), and Destination (Horn Duet). Her compositional style is influenced by various genres and styles, from merengue and fugues to more modern contemporary works, pushing boundaries in the world of new music. Her pieces have been selected for various competitions, including a solo cello etude for Vox Novus 15 Minutes of Fame Featuring Eunice Koh, and a wind ensemble piece, A Thousand Paper Cranes, for the Wind Ensemble category of the 2024 Penn State Ensemble Call for Scores. A Thousand Paper Cranes will be premiered in Eisenhower Auditorium at Penn State University by the Symphonic Wind Ensemble, conducted by Dr. Tonya Mitchell-Spradlin in Fall 2025. Claire is now working on a band commission for the Southeastern Women in Music Symposium that will also be premiered December 2025. Currently, Claire is attending Penn State, where she studies oboe with Dr. Andreas Oeste and composition with Dr. Baljinder Sekhon.

Link to youtube channel

Participating in ensembles led by women has proven to me that I too can lead a group of talented musicians or any group.... After performing with the few women conductors I’ve got to meet, I am now inspired to be like them and soon will be going into Music Education!


Tiffany D. - West Creek HS, Clarksville, TN

What to expect:

We’re so excited you’ll be joining us for this inspiring, empowering, and inclusive event. Our community is built on the belief that every musician brings something valuable to the ensemble.


Everyone is accepted. 

  • No auditions. No barriers. No one is turned away.


All are welcome. 

  • Whether you’ve performed in honor ensembles or are stepping into something new, your perspective and presence matter. It’s the blend of experiences that makes this ensemble so powerful.


Why we ask for your musical background: 

  • To choose repertoire that reflects the group’s range of talents
  • To assign chair placements that highlight your strengths
  • To help us build a balanced, collaborative ensemble
  • Never to exclude anyone
     

Performance level:
Participants should feel confident performing music at a Grade 3–4 level to ensure a positive experience for all.


More than anything, our goal is that you walk away with:

  • Increased confidence in yourself as a musician and leader
  • Support and empowerment from a community that sees you and uplifts you
  • Mentorship and connection that inspires you on your musical journey


Copyright © 2025 Southeastern Women In Music Symposium - All Rights Reserved.


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Registration Now Open

Our Fourth Symposium
December 12-14, 2025
Middle Tennessee State University

Murfreesboro, TN

CLICK FOR INFO